Last year was a great year for documentaries. In fact, the best American movie of 2015, in my estimation, wasIn Jackson Heights, the latest, intensely informed masterwork from the greatFrederick Wiseman, a study of the variety of communities in the famed Queens neighborhood of New York City. That, like many of Wiseman’s film, was an opus dedicated to an American institution of sorts, and several of last year’s other great documentary works took similar tactics.Approaching the Elephanttook a staggeringly intimate look at a small independent, alternative school for children;Field Niggasgave voice to many of the most disenfranchised denizens of Harlem;Of Men and Warlet us in on the lives and therapy sessions of a cadre of military veterans who can’t simply acclimate to America after being in a war zone.
There were also more entertaining but just as personal works from the likes of the lateAlbert Maysles(Iris),Kent Jones(Hitchcock/Truffaut), andLaurie Anderson, who made a sensational debut with the experimentalHeart of a Dog. And then, finally, there wasBrett Morgen’s exceptionalMontage of Heck, easily the best documentary aboutKurt Cobainto be released thus far, which is saying something considering the tonnage of “non-fiction work” to be released about the Nirvana singer.Montage of Heckwas informative, inventive, and personal, made up of home videos, animated asides, drawings, network TV footage, and much more. It was good enough to get Morgen quite a lot of attention and when National Geographic came to him with the chance to direct a documentary aboutJane Goodall, he jumped at the opportunity to depict the life of another iconic figure.
Morgentook to Twittertoday to talk about his next project and revealed quite a lot of enticing information about the promising work. First off, he confirmed thatStefan Nadelman, who did the animated segments forMontage of HeckandThe Chicago 10, is returning to do some work on the Goodall documentary, which already suggests a more visually audacious film than most docs. ProducerBryan BurkofStar Wars: The Force AwakensandLostis also on board, alongside editorJoe Beshenkovsky, who also cutMontage of Heck, but the big name here isPhilip Glass, who is set to score the film.
The famed composer is no stranger to making music for movies. Most recently, he co-composed the music for Fox’s bungledFantastic Fourreboot andLeviathan, one of the best and most politically furious films to come out of Russia in a long time. He’s also kept up a close relationship with documentarianGodfrey Reggioof theQatsitrilogy andVisitors. His focus has strangely been on documentaries for the most part, which makes him a perfect, seasoned fit for Morgen’s next film. This also suggests that as personal asMontage of Heckfelt, Morgen’s Goodall documentary may be even more quiet, sensitive, and ruminative about a life of obsessive dedication that brings both thrilling highs and devastating lows.
Here’s Morgen’s tweet about Glass:
