There’s only one movie where the most gargantuan household names of the 1990s gathered together to act their faces off, and it was an animated adaptation of a Bible story. That probably wasn’t your first guess, was it? Released in 1998,DreamWorks Pictures’The Prince of Egyptboasts a cast too magnificent to believe. One might go so far as to call it a miracle.The talent list reads like a roll call of 90s box office riches, then induces jaw-drops with a side of brain explosions.
On its own merit,The Prince of Egyptremains DreamWorks' best film by a mile. (Sorry not sorry,Puss in Boots: The Last Wish. Know your place.) The film’s scope and scale are of astounding grandeur, reminiscent ofDavid Lean’sLawrence of Arabiaand with a pathos comparable toWilliam Shakespeare. Chronicling the Biblical tale of Moses, a man tasked with liberating the Hebrew nation from their oppressors,The Prince of Egypttaps into the tome’s fundamental humanity and craftsa phenomenal cinematic narrative separate from any organized religious agenda. To shamelessly steal another animated masterpiece’s tagline,The Prince of Egyptis a mythical tale as old as time humanized for any modern generation. The detail woven into its hand-drawn animation and the literal years spent creating CGI techniques are beaten only bySony’sSpider-Versefilms.
Where to Watch ‘The Prince of Egypt’: Is the DreamWorks Classic Available on Streaming?
This beloved animated retelling of the life of Moses is the perfect seasonal watch for the whole family.
All this said, the cast carriesThePrince of Egyptthat extra Red Sea-mile from spectacular to one of the film’s greatest animated achievements. Every actor performs like their lives depended on it.Val Kilmerdelivers a career-best turn as Moses(fromTop GunandBatman: Foreverto the Bible — who would have thought?) echoed byRalph Fiennes’almost career-best (it’s a tight race) as Moses’s adoptive brother-turned-enemy. Then there’sMichelle Pfeiffer,Sandra Bullock,Jeff Goldblum, andDanny Glover. TheSteve MartinandMartin Shortduo lend their comedic expertise. FreakingPatrick Stewartat the height of hisStar Trek: The Next Generationfame drops in to terrify. EvenHelen Mirren(!!) is up in here playing the regal matriarch role for which she was destined. Yes, this is a cast of predominantly white actors voicing historically Egyptian and Middle Eastern characters is problematic, but their talent can’t be denied.
Of course, it’s easy for cynicism to rear its ugly but sometimes accurate head and claim this was all for a paycheck. Nevertheless, each actor performs with the same finesse required of live-action. Everyone even suits their roles instead of studio executives tossing celebrities at a dart board and seeing who sticks.The cast ensuresThe Prince of Egyptis an ambitious, intimate, potently raw work of art with astonishing weight and maturity rarely applied to children’s entertainment.
The Prince of Egypt
Egyptian Prince Moses learns of his identity as a Hebrew and his destiny to become the chosen deliverer of his people.
‘The Prince of Egypt’ Was an Ambitious Idea
DreamWorks foundersDavid Geffen,Steven Spielberg, and former Walt Disney Studios chairmanJeffrey Katzenberg(who oversaw theRenaissance periodresponsible forThe Little Mermaid,Beauty and the Beast,Aladdin,andThe Lion King)wanted their projects to break new animated ground. Spielberg concocted a bold idea: adaptingCecil B. DeMille’sepicThe Ten Commandments, which starredCharlton Hestonas Moses. Founded in 1994, DreamWorks was still in its infancy. However, Spielberg was already a cinematic titan by the mid-1990s, so his influence likely helped secure that bonkers cast.
From the start, the DreamWorks team had a shared vision:making animated movies that would engage adults as much as children.Speaking with Polygon in 2018about her career and makingThe Prince of Egypt, co-directorBrenda Chapmandiscussed the production’s inspirations and aims: “I think we were looking more atthe Japanese templatewhere there’s so many different forms of animation over there and it’s considered filmmaking and an art form and it’s not looked down upon as kids’ stuff,” Chapman said. “Animation in the U.S. has always been the bastard child of the industry.”
Essential to that goal was tapping into human emotions. Out of the three directors, Jeffrey Katzenberg trusted Chapman to infuse such a vast story with genuine weight. Chapman understood that exhuming the Biblical story’s human heart was the only way to bring it to the screen. Chapman said the story team focused on “how this huge story and these big events affect the human story of the two brothers. That’s where we really felt like we cracked it, was finding that angle to tell the story.” That’s an element that would surely appeal to actors of high caliber — and, clearly,The Prince of Egyptdid.
Val Kilmer Defies Expectations in ‘The Prince of Egypt’
At the risk of evoking a broken record, it’s almost ridiculous how no parts suffered from stunt casting. There’s a sense of gravity as well as raw intimacy when the actors' vocals are paired with some astonishingly emotive animation. Each performance is sophisticated, which befits the somber material. And animation requires different techniques and skill sets compared to live-action roles; not all can make the required leap.Val Kilmer explained why he enjoyed the experience:“To me,” he said, “it’s very reminiscent of theater […] and rhythms of speech and the importance of each phrase, and the kind of work that I’ve rarely had the chance to do in film as an actor.” Ralph Fiennes explained how he fueled his performance with his imagination: “Your voice has got to be its own physical body.” The animation’s naturalistic expressions matched the actors' ranges lending a level of validity rarely achieved even in the finest animated features.
As Moses, Kilmer delivers one for his record books. Tackling a historical figure of such import was already a hefty responsibility, butThe Prince of Egypthumanizes Moses through a compelling character arc. The script demands Kilmer credibly capture Moses’s early days as an exuberant, indolent youth, so his transformation into a humbled, guarded man on a God-divined mission is effective. Without that, the movie would fall apart. Moses walks the gamut of human emotion: arrogance, disbelief, fear, self-doubt, and regret. He presses forward with determined severity and empathetic kindness in equal measure, even though his task means resigning himself to inflicting secondhand heartbreak upon his adopted brother. Once he becomes a man of God,The Ten Commandmentsupholds Moses as a dull, one-note embodiment of virtue. He’s something to mimic but to a standard that’s impossible to achieve.Kilmer’s Moses is relatable because of his flawed multifacetedness.
In a behind-the-scenes featurette, producerPenney Finkelman Coxpraised Kilmer’s work ethic. “[He] has put more time and effort into it than any other actor has in an animated film. He has never turned us down when we’ve asked him to come back even if it was for one single line to just make that dialogue read a little bit better in the movie, be a little bit stronger performance.”
‘The Prince of Egypt’s Supporting Cast Is a Highlight
Every hero needs an enemy, and Ralph Fiennes matches Kilmer’s dedication beat-for-beat. Simply put,Fiennes ate this role up and didn’t leave a single crumb. His Rameses overflows with wild pathos (even while singing — yes, Fiennes briefly sings!). In contrast toThe Ten Commandments,which posited Moses and his royal brother as enemies divided by jealousy from the start, Fiennes' Rameses begins the story as good-humored and indulgent. The two always reconcile past conflict; there’s a sense Rameses would move heaven and earth for his little brother. Yet the heir to the Egyptian throne strains and buckles under the pressure because his father Seti (Stewart) finds his firstborn unworthy. Oppressive dynasties aside, this makes Rameses a sympathetic figure. Even as an adult, he’s never emerged from his father’s shadow or stopped being a boy who desperately craves love and validation.
Once Moses, the person he loves most in the world, casts Rameses aside, he morphs from an adoring brother into a vessel of menacing, bloodthirsty revenge. Rameses' fury reaches god-like proportions, as does his trained egotism and childish petulance. It’s an exquisite script, but the sharply flinted truth bleeds through thanks to Fiennes' delivery. His voice peels back Rameses' layers and presents upon a silver platter a character rich enough to sink bared teeth into. Even admist a stacked cast,Fiennes eviscerating the role makes him the standout.
The supporting cast perfectly rounds out the ensemble. Pfeiffer’s unrepentant fierceness as Tzipporah shoves a female presence to the forefront of a male-centered legacy, but not one so stereotypically powerful that she’s lacking compassion. Bullock’s Miriam is a mirror and a compliment to Pfeiffer, an impassioned optimist despite her torturous life. Gloverhas little to do as Tzipporah’s father Jethro, but he does it all right. As Moses and Miriam’s angry brother Aaron, Goldblum dampens those trademark mannerisms and recallsThe Fly’s muted intensity instead. Besties Steve Martin and Martin Short provide the required anachronistic humor with their snippety one-liners, but their Egyptian High Priest duo channels menace over Disneyfied wit.
Patrick Stewart hasn’t phoned in a performance a day in his life. His gravitas as Seti is overbearing without feeling heartless, epitomizing a powerful man who values his legacy’s preservation over fatherly kindness. He delivers the most chilling line of the entire film, easily. And as Seti’s queen Tuya, Helen Mirren is a compassionate mother and firm matriarch, regal yet no push-over.
‘The Prince of Egypt’ Remains an Animated Masterpiece
AlthoughThe Prince of Egyptwas a critical and financial success in 1998, twenty-five years ofanimation continuing to be shunted to the side as a lesser art formhas only sweetened its power.It’s a refined feat worth basking in and DreamWorks' standing triumph— and if you need a party conversation starter, just whip out that cast’s IMDB page.
